In the theatre, it is call the “fourth wall” Glimpse the . It is an imaginary and transparent screen between the stage and the auditorium, the one also form by the spectators. The multiplication of their pairs of eyes like so many scrutinising glances. Sometimes impressive. To be kept at a distance in the classical tradition. But which can also be cross or broken by addressing the audience directly, or even by playing mix with it.
On the stage or the stage left, simultaneously or in plenary. It is inde a spectacle of the eyes that will be on display on November 4 and 5. 2016 at the Palais des congrès. And we have interview the main actors here.
And what work! Glimpse the Behind the curtain
you will be able to glimpse how the machinery of the future Journées has been set in motion for several months now with its innumerable pulleys, its tiny and precious cogs. Upstream, the stage of the Palais, the reception of the phone number list participants. The installation of the decor which is not a decorum. But also the reading of the clinical texts, the difficult choice of the participants, the conversation with the headliners of the plenary, the wait for their response, the suspense, the surprises and all the adventures that lead to the outcome.
Yet this activity, this swarming clients often contact me when they encounter behind the scenes would not be without the one who stands behind, not this deus ex machina emerging from the sky to resolve the plot by giving the key to the theme but the object cause, agalmatic.
It is him, the object gaze, that we will have to identify, to try to grasp in the nets of our clinical presentations, in the encounter european union email list of our bodies all moving towards the beautiful Palace. No fourth wall here, as you will have understood: actors and spectators, we are all concern, watch by this object of the century, and it is all of us who, carri away by the orient desire and the titanic work of a few, Laurent Dupont at the head, will make these Days a window on the invisible.